Inspired by his Impressionist forbears, Andr Barbier delighted in depicting verdant forests and luminous seascapes at different times of the day and in a variety of atmospheric conditions. Like many of his contemporaries in early nineteenth-century Paris, Barbier travelled extensively in pursuit of subjects for his landscapes. In 1916 Barbier met Claude Monet and the two artists immediately struck up a friendship. Monet was so taken with Barbiers works that he sponsored an exhibition of his works with a preface by Monets biographer and friend, Gustave Geffroy, who urged him to build of mist and light, a world of poetry. Although a follower of the Impressionists, Barbiers style is wholeheartedly distinct. Barbier built up compositions using delicate layers of paint in a post-impressionist manner, often using a flickering outline to the forms within the landscape and imbuing his compositions with a delicate haze of light.