Charles Spencelayh (1865–1958) was a British painter celebrated for his meticulously detailed genre scenes, portraits and still lifes. Born in Rochester, Kent, he trained at the Royal College of Art in London, where he developed a rigorous academic technique rooted in close observation and fine draughtsmanship. His early career was marked by portraiture, including a commission to paint King George V, but he soon became best known for domestic interiors that combined anecdotal charm with remarkable technical precision. Spencelayh exhibited regularly at the Royal Academy between 1892 and 1958, where his works, often depicting elderly sitters in modest interiors, enjoyed popular acclaim. These paintings, executed with almost photographic realism, are characterised by their intricate rendering of everyday objects, whether a worn armchair, a cluttered mantelpiece or the glint of porcelain. His art captured the textures of ordinary life with both humour and pathos, earning him a reputation as a chronicler of English domesticity. He was a founding member of the Royal Society of Miniature Painters, exhibiting over a hundred miniatures between 1896 and 1954, and also showed extensively with the Royal Birmingham Society of Artists and the Royal Institute of Oil Painters. His works were frequently reproduced in magazines and prints, making him a familiar name to a broad public audience. Though his style remained rooted in Victorian academic traditions, Spencelayh’s paintings continue to resonate to this day, appealing to collectors for their nostalgic charm and exacting detail. Today, his works are held in numerous public and private collections, exemplifying the enduring appeal of British realist painting.