Our team

Anthony's connection to the art world spans more than half a century, beginning as a young boy in his father's gallery, Gladwell & Company, in the City of London. A lifetime of looking has given him an exceptional depth of knowledge and an instinct for quality that few can match. Now joined in the business by his children Glenn and Cory, he takes particular pleasure in the continuity this represents, guiding collectors as they shape their collections and introducing them to the artists whose careers the gallery has championed across generations.

Cory brings the rigour of the Courtauld Institute, where she specialised in nineteenth-century French painting after graduating with First Class Honours from King's College, to a practice shaped by thirty years of direct experience. Her expertise ranges across painting, sculpture, furniture and photography, underpinned by a finely attuned eye for quality. A seasoned presence at international art fairs and exhibitions, she is known for the depth and longevity of her relationships with collectors and for advice that is always personal and precisely informed.

Glenn has been the driving force behind Gladwell & Patterson's evolution; honouring the gallery's remarkable heritage while steering it with fresh ambition. Beyond the gallery, he is co-owner of Molecey's Marvellous Mill in Market Deeping, a beautifully restored water mill and events venue that now hosts weddings, seasonal events and the gallery's popular outdoor Sculpture Trail, developed together with Graham Magee.

Since joining the gallery in 2016, Emily has become the cornerstone of Gladwell & Patterson's client relationships. She guides collectors through acquisitions with patience, knowledge and genuine enthusiasm, whether through private sales or at international art fairs across the UK, the United States and Asia. Her reputation rests on something straightforward but rare: collectors trust her, and they keep coming back.

Ella joined the gallery in 2013 from Christie’s Impressionist & Modern Art Department. As Creative Director, she shapes the gallery’s visual identity and communication, overseeing advertising, catalogues and exhibition presentation. With over a decade of experience, she has produced more than twenty exhibition catalogues and is currently authoring the Catalogue Raisonné of Georges Charles Robin.

Graham joined Gladwell & Patterson in 2010 and is integral to the gallery’s creative and operational direction. As Head of Design, he oversees installations, exhibitions and the creative development of Molecey’s Marvellous Mill alongside Glenn. He has organised more than sixty international art fairs, ensuring the smooth delivery of a wide-ranging external programme.

Natalie joined the gallery in 2022 and is Head of Sales and Operations. She studied at Christie’s Education before completing an MA in History of Art and Art World Practice at the University of Glasgow. With over a decade of experience developing gallery spaces, Natalie advises clients at all stages of collecting and works closely with the gallery’s contemporary artists, supporting both their practice and the wider programme.

Bella joined the gallery in 2025 after graduating from the University of Exeter in History of Art and Film Studies. As Digital and Marketing Executive, she supports all aspects of the gallery’s communications, working closely with the Creative Director across both locations. She produces print and digital campaigns, manages online content and curates the weekly newsletter, keeping clients closely engaged with exhibitions, events and gallery activity.

Katy joined Gladwell & Patterson in 2024 and manages the Stamford gallery. She holds First Class Honours in Fine Art with History of Art from the University of Leeds and has curated collections for private clients. With a strong interest in British art and interiors, Katy oversees the day-to-day running of the five-floor gallery, ensuring a welcoming and well-considered experience for all visitors.

Rebecca joined Gladwell & Patterson in 2020 and leads client relations at the Stamford gallery. She read English Language and Literature at the University of Oxford and brings experience from both corporate and charitable sectors, including The Prince’s Trust. Rebecca supports clients with collection care, installation and advice, playing a central role in maintaining strong relationships and ensuring an informed, welcoming gallery environment.