ROBERT FOGELL | 250 Overlap Series
Mixed Media
40 x 47 cms / 15¾ x 18½ inches
In this work from the Overlap Series, Fogell refines his investigation into balance and repetition. Monochromatic planes are layered to create contours that interact with deliberate precision. The piece reveals the artist’s interest in how shapes coexist within confined space. His technique relies on restraint and clarity, producing an abstract surface that feels both architectural and fluid, with a strong sense of internal rhythm.
Robert Fogell initially trained in sculpture conservation under the artist and conservator Paul Giudici. Fogell’s original focus was on classical and modern stone. He carried out restoration work for private and public collections, including the British Museum, the Victoria and Albert Museum, English Heritage, and the National Trust. Having trained at Warwick University, Fogell took a teaching post at Leicester University. Combining art education and his studio practice has formed a rewarding journey for Fogell, who acknowledges a reciprocal relationship between teaching and his own creativity. The crux of Fogell’s work is its simplicity. He explores the interaction of sculptural geometry, symmetry, and proportion in experimentation with positive and negative space. In each sculpture, organic forms converge in an interplay of rhythmic harmony. Building up from small maquettes, Fogell’s works utilise a combination of bronze, stone, steel, and mixed media.
Read more about Robert Fogell here.
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